writing to vermeer造句
例句与造句
- Just as the " windows " bring in a world far more disturbing than anything that the painter chose to record, the staging and music of " Writing to Vermeer " provide the drama absent in the libretto.
- The hip eclecticism of Andriessen's music, which was center stage this summer in New York when the Lincoln Center Festival presented the American premiere of his experimental opera " Writing to Vermeer, " has won him ardent young listeners in Europe.
- The festival, now in its fifth year, will be offering 108 performances of 29 different musical, theatrical, dance and other events through July 30, including three additional performances of " Writing to Vermeer " on July 13, 14 and 15.
- Set in the Delft household of the Dutch painter Johannes Vermeer in May 1672, " Writing to Vermeer " is composed for three women singers ( two sopranos and a mezzo-soprano ) each of whom writes six letters to Vermeer in his absence.
- The resulting 100-minute opera, " Writing to Vermeer, " first presented by De Nederlandse Opera in Amsterdam's Muziektheater in December, will have its American premiere at the New York State Theater on Tuesday when it opens Lincoln Center Festival 2000.
- It's difficult to find writing to vermeer in a sentence. 用writing to vermeer造句挺难的
- "Writing to Vermeer, " which was generally well received by Dutch and other European critics, also began with a visual inspiration, specifically when Greenaway, known for his fascination with the 17th century, visited the Vermeer retrospective in The Hague in 1996.
- Blood, flood, a lynch mob-- in " Writing to Vermeer, " more goes on visually on stage than in any other 10 operas put together, and the brilliant, dazzlingly original effects serve this Dutch opera well, even while hogging the attention.
- A man who relishes the details, Redden was excited about the 7, 000 gallons of water that will flood the stage of the New York State Theater when the United States premiere of the Netherlands Opera's " Writing to Vermeer " opens the festival Wednesday night.
- Louis Andriessen's opera, " Writing to Vermeer, " which opened this year's Lincoln Center Festival at the New York State Theater on Tuesday night, wonders, as we do, what goes on beyond the walls of Vermeer's parlors and kitchens.
- In its wake, acts of homage keep proliferating; they include at least three novels and an opera from Amsterdam at Lincoln Center last summer ( " Writing to Vermeer " ) in which the artist's comely wife belted out songs about art, love and the toxic effects of wet varnish.
- Andriessen's mature music combines the influences of librettist Peter Greenaway on the film " M is for Man, Music, Mozart " and the operas " Rosa : A Horse Drama " ( 1994 ) and " Writing to Vermeer " ( 1998 ); and the recent " La Passione " ( 2000 02 ) for female voice and ensemble.
- While Stravinskian undertones typical of Andriessen's work often surface, his own score for " Writing to Vermeer " is also full of conscious references to other composers : he said he borrowed some musical structures from John Cage's " Six Melodies " for violin and piano and his " Sixteen Dances " and he adopted some melodies from a work by the 17th-century Dutch composer Jan Pieterszoon Sweelinck.
- Amongst other designs the most important were " Writing to Vermeer ", directed by Peter Greenaway and Saskia Boddecke in the Amsterdam opera, " Wozzeck " at the Brussels opera, directed by David Freemann, Paul Claudel's drama " T阾e d'or " directed by Anne Delbee at Com閐ie Fran鏰ise, Paris, " The Peony Pavilion ", a ballet with choreography by Fei Bo directed by Li Liuyi for the National Ballet of China, Beijing.
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