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theory of art造句

例句与造句

  1. According to McClennen, the book has had a " seminal impact " on theories of art and society within the region.
  2. Ken, however, brashly questions Rothko's theories of art and his acceding to work on such a commercial project.
  3. They formed author s school of painting, sculpture, applied and decorative arts, scenography, history and theory of arts.
  4. Cook's work focuses on breaking theories of art, craft, science and technology by combining all aspects in her textiles.
  5. His most famous book, " Snap to Grid " incorporates traditional and continental theories of art to account for digital media.
  6. It's difficult to find theory of art in a sentence. 用theory of art造句挺难的
  7. While Jahn was merely a competent artist, if not outstanding, he had a highly developed education in history and theory of arts.
  8. Alloway's theory of art reflecting the concrete materials of modern life gave way to an interest in mass-media and consumerism.
  9. The museum was founded in 1934 by Ragnar Josephson ( 1891 1966 ), professor of the History and Theory of Art at Lund University.
  10. Cronshaw studied Visual Arts and Philosophy at the University of Keele and then studied Social History and Theory of Art at the University of Leeds.
  11. He then devoted himself to writing and prepared several monographs on 19th-and 20th-century Polish painting, and on the theory of art.
  12. He aimed sharp criticism at the utilitarian theory of art espoused by the late Svetozar Markovi, who accentuated the social role of literature in Realism.
  13. Gaspare Manos is well known for his artistic interpretation of the urban world and his aim to define a new theory of art based on phenomenology.
  14. "We are on the threshold of a new theory of art, " a theory that will explain human esthetic judgment, he said.
  15. Blake further criticized Flaxman's styles and theories of art in his responses to criticism made against his print of Chaucer's Caunterbury Pilgrims in 1810.
  16. The "'Hockney Falco thesis "'is a theory of art history, advanced by artist David Hockney and physicist Charles M . Falco.
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