adaptive coloration造句

例句与造句

1. Hugh Cott was an exception, being an expert in animal camouflage with his then recently published textbook, " Adaptive Coloration in Animals " ( 1940 ), a book that had the distinction of being popularly carried for practical advice by army officers.
2. As a natural history narrative on what has become an intensely researched experimental subject, " Adaptive Coloration " could be thought obsolete, but instead, Peter Forbes observes " But Cott's book is still valuable today for its enormous range, for its passionate exposition of the theories of mimicry and camouflage ".
3. Hugh Bamford Cott in his 1940 book " Adaptive Coloration in Animals " described many instances of countershading, following Thayer in general approach but criticising Thayer's excessive claim ( " He says'All patterns and colors whatsoever of all animals that ever prey or are preyed upon are under certain normal circumstances obliterative .'" ) that effectively all animals are camouflaged with countershading.
4. In his Introduction to Hugh Bamford Cott's 1940 book " Adaptive Coloration in Animals ", Julian Huxley praised Cott's work as " a worthy successor to Sir Edward Poulton's " The Colours of Animals " . . . The one was a pioneer study, the other is in many respects the last word on the subject " ".
5. The English zoologist Hugh Cott, in his 1940 book " Adaptive Coloration in Animals ", wrote that some caterpillars such as the eyed hawk-moth " Smerinthus ocellatus ", and tree frogs such as the red-snouted treefrog " Hyla coerulea ", are coloured so as to blend with their backgrounds whether observed in visible light or in infra-red.
6. It's difficult to find adaptive coloration in a sentence. 用adaptive coloration造句挺难的
7. The English zoologist Hugh Cott's 1940 book " Adaptive Coloration in Animals " corrected Thayer's errors, sometimes sharply : " Thus we find Thayer straining the theory to a fantastic extreme in an endeavour to make it cover almost every type of coloration in the animal kingdom . " Cott built on Thayer's discoveries, developing a comprehensive view of camouflage based on " maximum disruptive contrast ", countershading and hundreds of examples.
8. In addition to " Adaptive Coloration in Animals ", Cott wrote two essays on camouflage :  Camouflage in nature and in war in the " Royal Engineers Journal " ( December 1938 ), pp501 517; and  Animal form in relation to appearance in Lancelot Law Whyte, ed . " Aspects of form : a symposium on form in nature and art " ( London : Percy Lund Humphries, 1951 ).
9. The final chapter confirms that " The force of the facts and arguments used in this work is cumulative in effect . " Many small steps of reasoning combine to show that " adaptive coloration . . . has been . . . one of the main achievements of organic evolution . " The book ends by comparing human artefacts and " natural adaptations ", both of which can have goals ( recall the publication date of 1940, early in the Second World War ) including " the frustration of a predatory animal or of an aggressive Power ".
10. Hubbs observes that Cott is both an artist and a naturalist as well as a scientist : " In section after section, rivaling one another in fascination, this master of art and of natural history unfolds the biological significance of adaptive coloration in animals . " And Cott's emphasis on disruptive patterning and ( following Thayer ) countershading clearly affected the reviewer : " Particularly impressive is the author's treatment of " coincident disruptive coloration ", in which a ruptive mark crosses structural boundaries, so as to obliterate visually such ordinarily conspicuous parts as the eye and the limbs.
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